(…) The work of Olga Danelone…in reality poses the
serious problem of becoming conscious of things, of ones surroundings, using a non-specific
artistic language. In these works on display is her existential existence, ethics in today’s society:
not to judge but to participate in what happens. In her works the image is often superimposed by
the impression, which is understood as a thread, a testimony to reality. One perceives the will to
place herself in the present in terms of her thinking, feeling free from any type of prejudice.
( translated by Lucy Lancaster )

Angela Madesani, art critic, Milan 2009